Can we separate the artist from their output? Can we value the genius of an artist’s ouvre if the artist is a jerk? Conversely, if the artist is a genuinely stellar human being but their work is sort of meh, will their art be as memorable and legacy-worthy? I think this question merits real analysis because I think it sheds a lot of light on how art is consumed by the public. It’s always said that people don’t buy art, they’re buying the artist. But why?
Read MoreBob Ross superimposed over his painting, Oak On a Clear Day.