Whether you're looking at art in a gallery/ museum space or your own artwork, you want to be able to discern what the art is *doing* not just by the way a piece feels to you, but by some very objective and concrete observations that can be applied universally. Here are the components of objective critique of a work of art that I always used when I was teaching and assessing student work.
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I repeat myself when under stress. I repeat myself when......
Have you thought about the way we artists use repetition? If you identify your motifs, you will have acquired more keys to unlock the “why” of the work you do.
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Dragons are just a slightly different idea of dinosaurs …. This piece marks a turning point in my thinking. Oil on paper, 24” x 36”, 2018. The bright colors come from having a long career doing children’s books.
Be yourself, you lovely weirdo.
Trying to be something I really wasn’t meant that I hadn’t been paying enough attention to what my work was always saying to me. I lost my way because I got caught up in other artists’ journeys and what was successful for them, lured away by this idea that if I…
Read MoreYo, Science, bitches!
I’d gotten to a point in my ceramic work where I was becoming curious about the chemistry and wanting to have more control over the surface appearance of my work, but even more, I wanted to cut down on the cost of my glazes. Commercial glazes are hella expensive but worth it for the reliability, and making glazes from scratch was a nightmare— so I was told….
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Apotropaion with Serpents in terra cotta.
Scarcity Thinking and Being a Pie-Maker
You— yes, you, Creative-friend, you literally make something out of nothing. You are the Pie-Maker and can make endless amounts of pie. A long as you’re alive and creating, there’s no shortage of pie. There’s no need to compete with anyone other than yourself.
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