The valiant little spring clamp tried its best but alas!
My oak easel, bought back in the early 90s when I was just starting out as an illustrator, while sturdy, was really only meant for lightweight canvas duty or for smaller boards. So, when I started working on heavier panels, I had a problem with the tray slipping…
Read MoreMaking the award sculptures for ConGlomeration’s Art Show was a fantastic time. Being given carte blanche meant I could just have a blast imagining anything at all…
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Pressures, 51” x 14’. Graphite, charcoal, and synthetic resin on vellum overlays on Stonehenge, 2009. (The lighting in the room had a colored cast to it— but throwing the photo into B&W would have missed the yellowed tint of the vellum overlays.)
Having had the span of a 13 year hiatus gave me the critical distance to finally understand this piece which has real importance to me as an artist and is significant to my life as a human.
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A giant ram’s head mushroom, Grifola frondosa, or maitake.
While art-making isn’t as high stakes as eating a wild mushroom, sometimes it can feel just as terrifying to “trust the process” when you don’t have a clue where your work is going or how you’ll get it where you want it to be.
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The Meeting. Older women are wonderful mentors.
Mentors are super important! If you don’t have one or several, get thee some right away. And if you have the chance to mentor someone else, it could greatly and positively impact their life in ways that can’t be quantified.
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The point is, no one knows what their life is going to be like 10, 20, or 30 years from now. But you’ve got to stick around to find out.
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Little Kingdom, graphite; Arches mounted to hardboard, 12”. 2023.
I meet someone at a gathering and they find out I’m an Artist. Before I can get even one word out about what kind of work I do, they start telling me about a painting— a painting! they saw at some gallery or show or arts collective. But they didn’t buy it and now it haunts them. They don’t know how to track down the artist but they snapped a photo of the artwork. Breathlessly, with hope in their eyes, they ask me…
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Art collaborations are quite interesting. There’s Warhol & Basquiat, Dali & Buñuel, Björk & Barney, and the list goes on. Artists work together to stretch their abilities and techniques, and to gain important feedback about their work. In a collaborative visual artwork, you’re also “listening” to what the other artist is creating …
Read MoreHoly heckin’ heck. In one month, my life’s been turned upside down. I’ve never been an early morning person, but since we’ve gotten our chickens, getting out of bed at 530 to greet them at rosy-fingered dawn with musical wakey-wakeys and a tray of their favorite things …
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The graphic novel, Volume 1, Lost In Dreams: A Father’s Love, page 101. Digital, 2015.
I’ve done only one graphic novel. It was 104 pages long. In the 2 years (nearly) it took me to complete it, I learned that while I had a great deal of fun (and really became proficient at Photoshop), I wouldn’t (probably?) do another one. At least that’s what I say now. Never say never?
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For all you eager beavers…. xo
There are TONS of resources out there for self-initiating artists, and there are many venues to advertise and sell work. Here is a list of many of the resources I’ve used over the years— there are many more newer ones out there to discover.
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Sun streams in and illuminates the stained glass windows behind the stone sculpture of a saint. St. Joan on Arc Church, Hershey PA. Photo by Christine Chardo.
If I wasn’t dozing off, I was taking note of the art in this church. Morning light streamed into the floor-to-ceiling stained glass windows bursting with colored fragments, scattering light everywhere. Can we appreciate the aesthetics even though we no longer engage in the religious culture?
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We have been stewards of this dear log house for 20 years.
Laura Ingalls’ book and series, Little House on the Prairie, about her life as a pioneer, was an incredibly influential bit of literature for me in an important time in my life. Few books had such a lasting effect on me as this one did.
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“Patty” a monsterpot that I made a year or so after the prototypes. I was still using commercial glaze here.
When I had made a batch of these prototypes, I gave one to Elva, my pottery mentor who gifted me my studio and equipment. Her remarks on seeing the ware were that I was making pottery in the tradition of “face jugs.” What was that?
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Monkeys as Judges of Art, 1889, Gabriel von Max
You know those people who sit in the stands and throw trash onto the field. They’re the ones who are verbally beating up the players, flinging invectives and general negativity. They’ve never been on the field. Never players. And yet they feel competent to criticize or judge something they themselves have never done…
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Starting at the corners seems counterintuitive….
I found a great way to stretch canvases starting at the corners! According experts in restoration, it’s an archivally sound method that distributes the canvas’ tension evenly so as to avoid tension cracks in the painting’s corners.
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The Banshees of Inisherin considers what is the spirit of Ireland and how civil war breaks so much.
We sometimes hear people referring to their children and family surname as their “legacy” and this is an oft heralded achievement. But when artists use that word, legacy, it’s suspect. Is it because we’re not dead yet? Because we haven’t yet finished the work? Perhaps legacy is…
Read MoreA post about a commission of a series of 4 paintings tied together thematically by the “seasons”, done in my usual botanical style and content. So that means the images will be overflowing with plants and animals, particularly bugs, flowers, etc. Everything jockeying for a place onstage, tumbling and vying to be seen, interacting with the environment, living in their niches…
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Foxfire, 2019.
Quite by accident, I recently stumbled across a method of pricing artwork that really sits well with me. No soul-crushing sterility of hourly or material rates, and no squishy guesstimations based on the sentimentality of “what feels right”. I’d written an earlier blog post on these other methods…
Read MoreWhat is letterlocking? It's the old practice of sewing and sealing your letter with wax to create an “envelope” to ensure that the letter hasn’t been read and that it hasn’t been tampered with. In 2022, unopened letters from Mary Queen of Scots surfaced and were unsealed by historians. The banished rival of Queen Elizabeth I used a “dagger”…
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