I’ve already tweaked my home page a little since I wrote part 1 about setting up an art website.
Have you been considering getting a website for your art and you keep putting it off? The learning curve might be a little steep at first with some of the technical aspects of setting it up but it can be really fun once you get the hang of it. One of the most delightful and unexpected benefits of having a dedicated art website…
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My painting, Natural History, 1999, oil on canvas.
In 2023, my keyword is commitment. It’s not a very flashy word inspiring a lot of boldness or risk, but one that speaks of quiet grit. It’s a word that really describes what I feel is an appropriate focal point for my current thought.
You see, I know what burn-out is….
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I started working on weekends and summers when I turned 14. My very first job was cleaning hotel rooms. The cigarette smoke and weird smells of the aerosol cleaners weren’t a great combination (and people can be really gross), but I could walk to work and…
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Hanging in my current studio is one of the oldest gargoyles I’d ever made (1996?). Dark brown and lovely, Della Robbia clay is an “air dry” clay that can be heated in a kitchen oven to obtain a certain hardness but it would still dissolve in water.
Sometime in the mid-90s, I had the opportunity to visit Harlan Ellison and his wife Susan at their home in Thousand Oaks, CA, and what I remember most was the gargoyles they had hanging over the garage entrance. When I got home, I just had to try making some of my own….
Read More“Moonpots” are my variation on the 1000-year-old Yixing tradition of making lidded teapots. The Jiangsu region boasts a unique purple sand clay which the artisans use to produce beautifully hued ware, but it’s the method and precision of the construction of the pots which first grabbed my attention when I became aware of this tradition.
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Okay, so this blog post is a little off the beaten art path, but I had a conversation with someone today which made me realize that I use a specific strategy…
Read MoreThere was a poster hanging in the hallway at the art college I attended that was a call for artists/ artisans to come to New York City to apprentice as a mason/ sculptor on one of the cathedrals there in the city.
Read MoreLike most kids in the 70s and 80s, I grew up with the traditional and practically obligatory art influences — Norman Rockwell, John James Audubon, Leonardo daVinci— seen as an old calendar page framed and hung on the wall or as a fancy coffee table book (right under the full-color glossy tome of King Tut’s treasures) but it wasn’t until…
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