Your work's right to exist doesn't depend on whether you've been validated, or trained, or praised, or paid. It depends on whether you show up for it.
Read MoreSovereignty. Oil on board, 2025.
Sovereignty. Oil on board, 2025.
Your work's right to exist doesn't depend on whether you've been validated, or trained, or praised, or paid. It depends on whether you show up for it.
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The Passage, oil on hardboard. 2025.
A friend of mine and I have been arguing about realism in art. It started with a conversation about photo reference. It prompted a larger question in my mind: what makes realism meaningful in the first place? And how much of it does a viewer actually need?
Read MoreSome of my sigil tiles sprouted wings—so naturally, the paintings had to follow. In this post, I share how clay sketches began transforming into small oil paintings, carrying the Eye of Providence and other symbols into dreamlike new forms.
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The sigil, Peace, because presence begins with a benevolent gaze. Part of the ongoing Sigil series, 2025.
Why do I sculpt so many eyes into my work? It’s a question I get asked a lot—sometimes nervously. The answer has more to do with protection, presence, and ancient symbolism than you might expect...
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Asimov’s I, Robot stories; the idea of positronic brains, the laws of robotics, etc., fascinated me. I loved the mix of complex ancient civilizations, philosophy, and science fiction. His writing made the potential exploration of worlds by future beings seem so vast and interesting.
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A ceramic frame which will eventually have a drawing in the inner space.
What has become pretty clear to me is this: Artists who use their work or others’ work to train an AI to spit out images for them to paint are completely missing the real value of what they potentially could get from working with an AI assistant.
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A few sigil tiles, 6” x 6”. Clockwise from top left: abundance, sanctuary, protection, and love. I’m still trying to figure out how to achieve the feeling of each intention….
Some time ago, my friend, Marian, asked me to make a sigil tile for her. What the heck was that? I thought. A sigil, or “seal” is a magical symbol of a desired outcome based on a word.
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I’ll be attempting to provide you with shorter blog posts more frequently— once or twice a week — to fill you in on what’s happening in my studio.
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My 10-minute chalk doodle in the lobby of Marketview Arts, York PA. 2023.
Recently, I downloaded the ChatGPT app to see what all the fuss was about and I was pleasantly surprised at how immediately the AI made itself useful…
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Slow Down, You Move Too Fast, 8” x 10”; 2023. Colored pencil and graphite. Remember that irrepressibly upbeat 60s song, “Feelin’ Groovy” by the band, Harper’s Bizarre? Aw yeah, baby.
Recently, I sold this little piece and was quite happy to hear that the buyer was someone who was familiar with my ceramics (they have a handful of monsterpots) but was totally unfamiliar with my drawings and paintings…
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Bob Ross superimposed over his painting, Oak On a Clear Day.
Can we separate the artist from their output? Can we value the genius of an artist’s ouvre if the artist is a jerk? Conversely, if the artist is a genuinely stellar human being but their work is sort of meh, will their art be as memorable and legacy-worthy? I think this question merits real analysis because I think it sheds a lot of light on how art is consumed by the public. It’s always said that people don’t buy art, they’re buying the artist. But why?
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“Family crest” stamps for a couple to be married in Ecuador. These will be used by a potter there to create a set of platters and cups for their household. 2023. These were sculpted or carved into terra cotta clay and then fired for hardness so they can be used again and again.
One of the challenges I faced while making ceramics over the past several years is how to re-create something as it was the first time. Someone will say— “Oooh, I love that!” and want the same thing. This is where molds and stamps come in handy….
Read MoreMaking the award sculptures for ConGlomeration’s Art Show was a fantastic time. Being given carte blanche meant I could just have a blast imagining anything at all…
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A giant ram’s head mushroom, Grifola frondosa, or maitake.
While art-making isn’t as high stakes as eating a wild mushroom, sometimes it can feel just as terrifying to “trust the process” when you don’t have a clue where your work is going or how you’ll get it where you want it to be.
Read MoreArt collaborations are quite interesting. There’s Warhol & Basquiat, Dali & Buñuel, Björk & Barney, and the list goes on. Artists work together to stretch their abilities and techniques, and to gain important feedback about their work. In a collaborative visual artwork, you’re also “listening” to what the other artist is creating …
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We have been stewards of this dear log house for 20 years.
Laura Ingalls’ book and series, Little House on the Prairie, about her life as a pioneer, was an incredibly influential bit of literature for me in an important time in my life. Few books had such a lasting effect on me as this one did.
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The Banshees of Inisherin considers what is the spirit of Ireland and how civil war breaks so much.
We sometimes hear people referring to their children and family surname as their “legacy” and this is an oft heralded achievement. But when artists use that word, legacy, it’s suspect. Is it because we’re not dead yet? Because we haven’t yet finished the work? Perhaps legacy is…
Read MoreWhat is letterlocking? It's the old practice of sewing and sealing your letter with wax to create an “envelope” to ensure that the letter hasn’t been read and that it hasn’t been tampered with. In 2022, unopened letters from Mary Queen of Scots surfaced and were unsealed by historians. The banished rival of Queen Elizabeth I used a “dagger”…
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My painting, Natural History, 1999, oil on canvas.
In 2023, my keyword is commitment. It’s not a very flashy word inspiring a lot of boldness or risk, but one that speaks of quiet grit. It’s a word that really describes what I feel is an appropriate focal point for my current thought.
You see, I know what burn-out is….
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I started working on weekends and summers when I turned 14. My very first job was cleaning hotel rooms. The cigarette smoke and weird smells of the aerosol cleaners weren’t a great combination (and people can be really gross), but I could walk to work and…
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