Some of my sigil tiles sprouted wings—so naturally, the paintings had to follow. In this post, I share how clay sketches began transforming into small oil paintings, carrying the Eye of Providence and other symbols into dreamlike new forms.
Read MoreWonderful Commission Work, Part 3: Winter
Winter is the third panel in the Seasons series for my friends, a lovely couple who now live in Arkansas. We met several years ago at an art conference and they were there as avid fans of imaginative realist art. They found my work and subsequently invited us to visit them. Sometime after that, they commissioned this series.
Read MoreSigil tiles for Lughnasadh
I’ve been having a lot of fun with the sigil series lately. I especially enjoy making them in rhythm with the seasons—letting each one echo the mood of the turning year.
Lughnasadh is a time of harvest, of gathering what’s grown, and of giving thanks for all that has carried us this far.
Read MoreThe sigil, Peace, because presence begins with a benevolent gaze. Part of the ongoing Sigil series, 2025.
"Why All the Eyes?" The Eye of Providence and its Meaning
Why do I sculpt so many eyes into my work? It’s a question I get asked a lot—sometimes nervously. The answer has more to do with protection, presence, and ancient symbolism than you might expect...
Read MoreHorned God (WIP)
Out of the Forest
Scheduled for August 23rd, the exhibition, “Out of the Forest” will be held at Manor Mill Gallery in Monkton, MD. Some works in progress here.
Read More“The Interstellar Traveler.” Black stoneware with engobe. 2025
If This Work Was Found in a Thousand Years
When I made this piece, I started thinking differently about legacy. It’s not just about me lasting. It’s about us. I want humanity to survive this perilous moment we’re living through. I want us to make it to the other side of whatever this is….
Read MoreMore sigils: 25 May 2025
The Sigils are evolving a bit into something intriguing and new. I’m planning on offering a set to mark the eight seasons of the year’s Wheel. Litha, or Midsummer, is coming up on June 21st, representing the vibrant season of light, zenith, celebration, and radiance.
Read MoreThis wider-mouthed one also had a calming “Whale’s eye”.
Yarn bowls
I’d never made a yarn bowl before so when a fan of my work asked me to make her some, I was intrigued with the challenge.
Read MoreOne of the Sigil “sentinel” wall sculptures in progress, “Protection”.
"The Audacity of Imagination"
My own work is traveling a bit of a strange route of late. Since I’ve delved more into the meaning and making of sigils, I’m finding that they want to crop up everywhere in the art…
Read MoreCurrent work: 19 April 2025
Asimov’s I, Robot stories; the idea of positronic brains, the laws of robotics, etc., fascinated me. I loved the mix of complex ancient civilizations, philosophy, and science fiction. His writing made the potential exploration of worlds by future beings seem so vast and interesting.
Read MoreMagnets I made a few years ago that were actually sigils but I didn’t know that’s what was channelling…. They’re made of Sculpey!
Continuity of Self
How is it possible to feel a “continuity of self” when all the cells in my body— with the exception of the lens of my eye— have regenerated more than once? I’m certain that I’ll still feel continuity of self when I’m 75.
Read MoreA ceramic frame which will eventually have a drawing in the inner space.
More ideas for sigils...
What has become pretty clear to me is this: Artists who use their work or others’ work to train an AI to spit out images for them to paint are completely missing the real value of what they potentially could get from working with an AI assistant.
Read MoreCurrent work: 7 April 2025
The gallery, Manor Mill in Monkton, MD, has invited me to participate in their group invitational show, “Out of the Forest” this August.
Read MoreA few sigil tiles, 6” x 6”. Clockwise from top left: abundance, sanctuary, protection, and love. I’m still trying to figure out how to achieve the feeling of each intention….
Current new work: 25 March-- Sigil Tiles
Some time ago, my friend, Marian, asked me to make a sigil tile for her. What the heck was that? I thought. A sigil, or “seal” is a magical symbol of a desired outcome based on a word.
Read MoreBisqued planter cauldrons with applied oxides. 2021.
Opening a load of Bisqued ware
Lately, I’ve been adding videos of my sculpting process on my YouTube channel. I uploaded this one in February after firing a huge batch of mugs.
Read MoreCurrent New Work: March 2025
I’ll be attempting to provide you with shorter blog posts more frequently— once or twice a week — to fill you in on what’s happening in my studio.
Read MoreMy 10-minute chalk doodle in the lobby of Marketview Arts, York PA. 2023.
On Creativity
Recently, I downloaded the ChatGPT app to see what all the fuss was about and I was pleasantly surprised at how immediately the AI made itself useful…
Read MoreSlow Down, You Move Too Fast, 8” x 10”; 2023. Colored pencil and graphite. Remember that irrepressibly upbeat 60s song, “Feelin’ Groovy” by the band, Harper’s Bizarre? Aw yeah, baby.
Congruence
Recently, I sold this little piece and was quite happy to hear that the buyer was someone who was familiar with my ceramics (they have a handful of monsterpots) but was totally unfamiliar with my drawings and paintings…
Read MoreThe tile, Nimue. In Japanese culture, wabi-sabi— to “embrace the imperfect,” is often a rationale for repairing broken pottery (kintsugi). With this philosophy there’s less trauma when damage occurs, often with a highlighting of the imperfection as a kind of journey or experience of the object. This tile had too much fragmentation and still would have to be fired again to stoneware temperatures that I’ve decided to use the pieces as glaze-testing pieces instead.
On Perfectionism
Heartbreak is only temporary pain as I scoop the shattered bits of tiles into the dustpan or repair kiln shelves from the bubbled bits of glass fused to their surfaces. My heart begins to mend from the many failures with every dried bit of greenware I dump back into the clay reclamation bucket. Because with every failure, I earn an experience which teaches me something new about my craft.
Read MoreKlaus' Greenman. 15" x 15". Red stoneware.
Curating a Life
A dear friend of mine passed away last year and he left an enduring mark on my life....
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