I’ve been having a lot of fun with the sigil series lately. I especially enjoy making them in rhythm with the seasons—letting each one echo the mood of the turning year.
Lughnasadh is a time of harvest, of gathering what’s grown, and of giving thanks for all that has carried us this far.
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Why do I sculpt so many eyes into my work? It’s a question I get asked a lot—sometimes nervously. The answer has more to do with protection, presence, and ancient symbolism than you might expect...
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Scheduled for August 23rd, the exhibition, “Out of the Forest” will be held at Manor Mill Gallery in Monkton, MD. Some works in progress here.
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When I made this piece, I started thinking differently about legacy. It’s not just about me lasting. It’s about us. I want humanity to survive this perilous moment we’re living through. I want us to make it to the other side of whatever this is….
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The Sigils are evolving a bit into something intriguing and new. I’m planning on offering a set to mark the eight seasons of the year’s Wheel. Litha, or Midsummer, is coming up on June 21st, representing the vibrant season of light, zenith, celebration, and radiance.
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I’d never made a yarn bowl before so when a fan of my work asked me to make her some, I was intrigued with the challenge.
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My own work is traveling a bit of a strange route of late. Since I’ve delved more into the meaning and making of sigils, I’m finding that they want to crop up everywhere in the art…
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Asimov’s I, Robot stories; the idea of positronic brains, the laws of robotics, etc., fascinated me. I loved the mix of complex ancient civilizations, philosophy, and science fiction. His writing made the potential exploration of worlds by future beings seem so vast and interesting.
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How is it possible to feel a “continuity of self” when all the cells in my body— with the exception of the lens of my eye— have regenerated more than once? I’m certain that I’ll still feel continuity of self when I’m 75.
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What has become pretty clear to me is this: Artists who use their work or others’ work to train an AI to spit out images for them to paint are completely missing the real value of what they potentially could get from working with an AI assistant.
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The gallery, Manor Mill in Monkton, MD, has invited me to participate in their group invitational show, “Out of the Forest” this August.
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Some time ago, my friend, Marian, asked me to make a sigil tile for her. What the heck was that? I thought. A sigil, or “seal” is a magical symbol of a desired outcome based on a word.
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Lately, I’ve been adding videos of my sculpting process on my YouTube channel. I uploaded this one in February after firing a huge batch of mugs.
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I’ll be attempting to provide you with shorter blog posts more frequently— once or twice a week — to fill you in on what’s happening in my studio.
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Recently, I downloaded the ChatGPT app to see what all the fuss was about and I was pleasantly surprised at how immediately the AI made itself useful…
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